☾ MOONSHINE ☽

kytakes:

sosuperawesome:

Prints by bluepalette

HOW

(via themoonphase)

(Source: waliszewska)

G A G A X D A L Í

(Source: cervaantes, via glamnesty)

nevver:

Japan diaries, Formento & Formento

asylum-art:

Winged Victory of Samothrace-Νίκη τῆς Σαμοθράκης

Victory of Samothrace is a Greek sculpture of the Hellenistic period (second century BC) depicting the goddess Nike, the personification of victory, placed on the front of a ship. She is currently in the Musée du Louvre. The total height of the monument is 5.57 meters. The Centre for Research and Restoration of the Museums of France (C2RMF), which had tested the statue was able to identify minute traces of blue, invisible to the naked eye. “These traces can be concluded that the polychrome statue was, at least in part,” the museum. The coat of the statue was to be decorated with a colored stripe. Another surprise: a lock escaping the bun Victory appeared on the back of the neck, hidden under a capping modern plaster dating from the twentieth century. Discovered in 1863 off the Greek island of Samothrace (northeast Aegean), reconstructed in the Louvre between 1880 and 1884, she set foot on a base shaped prow placed on a pedestal. It has been completely restored and reinstalled on its base.

(via awkwardo-flipendo)

jedavu:

Paris Night&Day by A labgraph

(via gagaismyqueenx)

asylum-art:

Axel Hoedt:Once A Year 2013

Axel Hoedt’s Once a Year offers a series of photographs of traditional German festival costumes, a sort of project that has become more familiar with the recent work of Charles Freger, Estelle Hanania and Phyllis Galembo. Hoedt’s work falls more inline with Hanania’s approach, yet his take is his own. With a background as a fashion and portrait photographer, Hoedt’s photographs revel in the strangeness of their subject matter. A good fashion photographer isn’t simply looking for beauty, but the moment where clothing transfigures the person wearing it — a transformation perhaps never more powerful than with costume. Photographed against white backdrops or in the streets in both black and white and color, Hoedt’s atmospheric images invite you to look, yet not in the same way documentary images do. In these images it is possible to see something beyond the garment. Momentarily still, Hoedt’s photographs allow us flashes of a centuries old world hidden in the experience of otherness of this once a year tradition.

via Emmanuel Chaussade

(via the-secret-life-of-ravens)

melisica:

(by Mariangela ♠ Neve)